Archive for Close-ups

Big Bulls Close-Up

Posted in Bull, Close-ups, Pennsylvania Elk, Pennsylvania Elk Photography Experience, Perspective, Wildlife Photography, Winslow Hill with tags , , , , , , on October 4, 2012 by bobshank

When I was a teenager the television commercial for Close-Up Toothpaste had me convinced that if I bought their specific brand I would have girls close-up. I will not reveal any more of my teenage thoughts, but there is one thing I know: You don’t have to use fresh-smelling toothpaste to get close-up to the Pennsylvania elk!

What is the perfect perspective in wildlife photography? Do you work hard to include every antler point in your image? There is nothing wrong with this full-view perspective, but challenge yourself some time to zoom in and get up close–real close! Most people know what the whole animal looks like, so our mind will usually fill in the missing parts. The close-up shots can be intriguing and provide an interesting perspective!

I have a saying I developed for elk photography. You will find a short chapter with this title in my book, “How I Photograph the Pennsylvania Elk.” The saying goes like this: “Don’t just shoot the bull!” I mean it. Many, if not most, photographers get so geared up at the prospect of capturing a big bull with their camera that they sometimes forget the beauty of the cows right in front of them. Take this next image for example, if I had only focused on shooting the bulls, I would have missed this great shot. Don’t just shoot the bull! Be creative and photograph the cows and calves, too.

The next time you are out shooting an animal. Think about zooming in and taking some close-up shots. It might even change your perspective on wildlife photography!

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Photo Tip Tuesday – Getting Closer

Posted in Blind, Bull, Close-ups, Elk County, Getting Closer, Lancaster County, Pennsylvania Elk, Photo Tips, Wildlife Photography with tags , , , , , , , , on February 28, 2012 by bobshank

Getting closer to the subject is the name of the game in wildlife photography. Yes, sometimes we do want to include the surrounding environment and habitat that wildlife call their home, but getting closer will help a lot in separating an animal from a busy background. Also, there’s nothing worse than taking a photo and then sharing it with someone who asks, “what’s that spot over there?” Your reply, “Oh, that’s the bull elk I wanted you to see.” That little spot just doesn’t do any justice to your photography.

So, how do you get closer to your subject?

First, buying telephoto lenses is an important priority for any budding wildlife photographer. Long glass helps us get closer while maintaining a safe distance from the animals we are photographing. In fact, some National Parks even have a minimum viewing distance that requires longer lenses if we are going to fill the frame with our subject at this safe distance. 300mm is probably the shortest option for a good wildlife photography lens, but I have used the 70-200mm with a 1.4x teleconverter with larger mammals like the elk here in Pennsylvania. Yes, long glass is important and very helpful, but it is not the end all solution every time, especially with smaller subjects.

This brings us to the main topic of this photo tip-how to physically get closer to our subjects. You might assume that stalking or sneaking up on a subject will work. Sometimes yes and sometimes no; but typically no. Animals live longer lives because they are wary of danger, especially human danger. Big racks don’t get big by animals being careless.

Rather than sneaking up on them, I try to be as calm and unassuming as possible. I take my first photos from a distance if I haven’t photographed this species before just to get an image of this new subject. Then I see if the animal “accepts” me. What I mean by this is noting whether the animal goes back to its routine behavior of grazing or whatever. If not, I don’t move. I look in the opposite direction, remaining as calm as possible and pretending that I don’t care that the animal is even there. Usually, the animal realizes there is no imminent danger and does accept me as a non-threatening photographer rather than a hunter. Of course, this is much easier where hunting is not allowed, which makes Wildlife Refuges and National Parks prime locations for wildlife photography.

I did grow up in the farmlands of Lancaster County and was groomed to be a hunter at the age of twelve. I still hunt white-tailed deer and black bear, but I spend much more time out in the woods with my Nikon camera gear. The skills I learned from hunting are sometimes helpful, such as locating sign of animals and observing their behavior and patterns. With camera in hand, I don’t want my subject to think I am hunting it. I want the animal to realize I won’t hurt it and just want to photograph it. Sometimes talking calmly to an animal can help, too.

Another highly successful method I employ is to situate myself in a place to where the animal is headed and will eventually walk through as it meanders on its way. This is exactly the method we used with this Bull you see in these four photographs. I happened to see him not far off the road and I could see he was heading in a specific direction. I reasoned that he was going to eventually come by a specific location, so we moved to that location and waited for him to arrive. This was relatively easy because we could see him in the open some of the time, but this method works well even when you cannot see the subject if  you know the well-traveled trails and habits of the animal you are photographing.

Still another method I have used this past year is to use a portable blind. My son and I got closer to wild white-tailed deer in Elk County using this method. We both got into the blind well before sunset and just waited. Again, we knew this particular field was often frequented by deer in the evening. We picked our favorite location on this field, set up the blind, and waited. Sure enough, eight deer came out into the field and we had the chance to observe them up close and personal.

This is the goal-getting closer to our subjects. It is not always easy but it is well worth the effort! Oh yeah, one more tip on this subject-patience is key. By nature, I am not the most patient person in the world, but I can sit or stand at a spot for a very, very long period of time waiting to capture wildlife photographs. Most people take a few photos and move on. Don’t. Take your time and “work” the subject. Observe and photograph what the animal is doing. Try to capture facial expressions and body movements. Think about what close-up photographs might work with this subject. Focus your attention on separate parts of the animal’s body and create some art. Is there a tail wagging to chase away a flea? Are there long eyelashes on the eye of this animal? What are the position of the legs and feet? Will they be in a more photographic position if you wait for the animal to move five more feet? What about the background; could you wait for the animal to move in front of a better and more attractive background? Wait, watch, observe, and photograph!

With these tips you should be able to get closer.

Lone Winter Bull Closeup

Posted in Bull, Close-ups, Pennsylvania Elk, Wildlife Photography with tags , , , on February 21, 2012 by bobshank

 

Sunday night we arrived in Elk County just before sunset hoping to see a nice Pennsylvania bull elk. We saw several cows and a few calves, but no bull. We persisted in our search and I was beginning to think we were going to get skunked, when I spotted this lone bull elk walking alongside the road. He was headed back into a run, so I turned the truck around, and traveled up the road in an attempt to catch him coming towards us. It worked! Before long we were set up with our tripods and clicking the shutters of our cameras. The backdrop consisted of some pine trees and the side of the mountain. Perfect!

Backgrounds are critical for quality photographs. I have captured many elk with my camera that have backgrounds that are just too busy. This is one of the main difficulties in wildlife photography–separating the subject from its background. If you are not successful in this method the resulting photograph will be unacceptable. After all, we are not after snapshots here; we are after photographs. We photographed this bull for well over 30 minutes and would have continued if the light wasn’t getting lost.

I like closeups of the elk, even the bulls. It is tempting to include their whole body and, of course, their large antlers; but I like to get up close and personal once in a while. These photographs reveal some detail we would never see otherwise. Look at the contrasting fur and pedicles of this bull’s antlers, as just so simple examples. I am quite sure that these two simple details would be lost if I had composed this photograph to capture the entire bull’s body and his antlers. Facial expressions on animals can be interesting as well. This photo shows some of the whites in this elk’s eyes. He is wondering what we are and what we are doing in his world. He is not totally alarmed but he is cautious, as his ears are up and on alert.

This last photograph shows even a bit more detail. Look closely again at the pedicles. Do you see the ring-like base protruding from the head of this bull? Do you see the tufts of fur below them? Do you notice the contrasting colors and size of the fur on this bull? What about the expression and the stare from the eyes of this bull? Each one of these details contributes to telling the full story of this bull as we encountered him in his environment.

My contention is the photographer who pays attention to detail and considers getting close-up will have quite a story to tell. Do you think these three photographs succeed in this attempt?

Remember that old saying: “a picture is worth a thousand words?” This can be true if the photographer pays attention to details. What stories do your photographs tell?